The Taming of the Queen Read online

  Someone laughs at her mishap and it is then that we realise something is going wrong. The Mary Rose was reefing her sails and turning against the wind to get her starboard guns to bear on the French just as the gust of wind caught her. She heels over in the sea, dangerously low, her sails dipping towards the waves, her beautiful square sails no longer proudly upright above her arched decks, but now at an angle, odd and ugly.

  ‘What are you doing?’ the king bellows, as if anyone can answer him. ‘What the hell are you doing?’

  She is like a horse that has taken a curve too tight. You can see a horse with his legs going from under him, running harder and faster, and yet everything happens very slowly, but with a terrible inexorability.

  ‘Right her!’ Henry howls like a dog, and now everyone is beside him at the castle wall, leaning out as if they will ever hear us shouting instructions. Someone is screaming ‘No! No! No!’ as the beautiful proud ship, her standards still rippling, goes further and further over on her side and then we see her slowly lie on her side like a fallen bird, half in, half out of the scudding waves.

  We can’t hear them scream. The sailors are trapped below decks as the water rushes in through the open gunports, and they cannot climb up the narrow ladders in the waist of the ship. They drown in their own coffin as she takes them gently, softly down. We can hear the men on the upper deck. They are clinging to the boarding nets, which are now entrapping them, trying to slash them away. Some of the fighting men jump down from the ship’s turrets and stab with their pikes at the ropes or hack with their swords at the thick net. But they can’t get the men free, can’t open the nets. Our soldiers and sailors die like netted mackerel, struggling to breathe against the mesh.

  The free men on top tumble off the castles like so many toy soldiers, like the little lead men that Edward plays with, and their leather jackets drag them down in moments. Those who have helmets feel them fill with cold sea water before they can untie the straps. Thick boots drag their owners down, heavy plate armour strapped on knee and breast plunges men in a rush to the bottom. I can hear a voice crying: ‘No, no, no.’

  It feels like a long hour of agony, but perhaps it is only minutes. It feels timeless. The side of the ship seems to rest on the water like a sleepy bird, moving with the sea as a handful of men, no more, fling themselves from the rigging and disappear into the smoke-drenched waves. The roar of the cannon goes on, the battle itself goes on. Nobody but us has frozen in horror to watch as the keel rolls a little more to the sky, as the sails fill with water, not wind, and billow and swell in their strange submerged beauty, and then drag the ship down to the green depths.

  I can hear someone weeping: ‘No, no, no.’

  COWDRAY HOUSE, MIDHURST, SUSSEX, SUMMER 1545

  The battle is inconclusive, they tell me, when the smoke finally clears and the fleets limp their different ways: the French back to France, the English ships into port. They report to the king that England was triumphant. We sent out a few tiny ships against a great French armada, and the French soldiers that landed on the coast of Sussex and the Isle of Wight burned a few barns but were driven off by the farmhands.

  ‘Englishmen,’ Sir Anthony Denny whispers encouragingly to the king. ‘For God and for Harry!’

  But the king is not stirred by the battle cry of an earlier, greater king. He is shocked, his great carcass beached in his bed like his great ship is beached on the seabed, underwater in the Solent. They come almost hourly to tell him that it is not as bad as it seems. They say that they will raise the Mary Rose, that it will be no more than a matter of days before they have hauled her to the surface and pumped out the water. But after a while they stop boasting that she can be reclaimed from the sea, and the beautiful ship and her sailors, and the fighting men – four hundred of them, five hundred, nobody knows how many were enlisted – will be left to the chantry of the tides and the singing of the sea.

  As soon as the king can ride we go by stages to Cowdray House at Midhurst, hoping that one of the king’s most boastful courtiers, Sir Anthony Browne, can raise his spirits and comfort him. The king sits on his horse in silence, looking around him, looking everywhere at green fields, strips of crops, flocks of sheep, herds of cows, as if he can see nothing but the heeling over of his proud ship and the terrible gurgle in the water as she sailed downward to drown. I am beside him and I know that my face is frozen like a stone angel on a tomb. The country that we ride through is quiet, the people resentful. They know that the French nearly landed, that the royal fleet cannot defend them. This is a countryside of inlets and tidal rivers, terribly exposed to an invasion. They are afraid that the French will refit and come again, and there are many people who whisper that if the French came and restored the abbeys and the churches and the holy shrines, then they would be a blessing to England.

  I do not ask about Thomas Seymour. I do not dare to say his name. I think if I say so much as ‘Thomas’ that I will cry out and if I start, I will never be able to stop. I think there is a sea of tears in me as deep as the tides that sigh through the rigging of his ship.

  ‘The king has granted Lady Carew a great pension,’ Nan says quietly to me as she is brushing my hair before putting on my gold net and my hood.

  ‘Lady Carew?’ I ask indifferently.

  ‘Her husband went down on the ship,’ she says. Nobody says ‘Mary Rose’ any more. It is as if she is a ghost, another lost queen, a nameless woman missing from Henry’s court.

  ‘Poor lady,’ I say.

  ‘The king made him vice-admiral the very night before, and gave him the command,’ she says. ‘He replaced Thomas Seymour, who was furious at the slight. He always had the luck of the devil, did Tom. He had to make another ship his flagship and he came through unscathed.’

  She looks up from the work of twisting my hair into ringlets and tucking them into the net and sees my face in the mirror. ‘What’s the matter?’ she asks. ‘Are you ill?’

  I put my hand to my stomacher. I can feel my heart pound through the tightly laced silk. ‘I am sick,’ I whisper. ‘Nan, I am terribly sick. Let me lie down for a moment.’

  They all crowd round me and I close my eyes to blot out the sight of the anxious avid faces. Then someone lifts me at my shoulders and two of them bear up my feet and I feel them put me onto my bed. Someone cuts my laces and loosens my stomacher so I can breathe more easily. Nan slips off my silk slippers and chafes my icy feet.

  Someone holds a cup of warm ale to my lips and I sip, and then lean back on the pillows and open my eyes.

  ‘You don’t feel hot,’ one of the ladies volunteers nervously. They are all terrified of the Sweat. It can kill a man in four hours, and there is no easy way to tell if he will die. He complains of heat at dinner and he sweats to death by nightfall. It is a Tudor plague; it came in with this king’s father.

  ‘I am sick in my belly,’ I say. ‘Something I ate.’

  Two of them exchange secret smiles. ‘Oh – do you feel sick in the mornings?’ Anne Seymour says, suggestively, hopefully.

  I shake my head. I don’t want this sort of rumour starting. Even now, as I am struggling with the news that Thomas is alive, I have to watch what I say, what they say, what anyone says about me. ‘No,’ I insist, ‘and no-one is to say such a thing. It is not that, and the king would be much displeased if you gossiped about me.’

  ‘I was just hoping for the best for you,’ Anne defends herself.

  I close my eyes. ‘I need to sleep,’ is all I say.

  I hear Nan chivy everyone from my room and then the shutting of my bedroom door and the rustle of her dress as she sits beside my bed. Without opening my eyes I reach out my hand and she takes it in her comforting grasp.

  ‘Such a terrible day,’ I say. ‘I can’t stop seeing it.’

  ‘I know,’ she says. ‘Try to sleep.’

  GREENWICH PALACE, SUMMER 1545

  We make our way back to London in slow stages. The journey, which set out as a summer’s jaunt to see the fleet i