The Jodi Picoult Collection #3 Read online

  —Vladimir Nabokov

  Delia

  You can’t exist in this world without leaving a piece of yourself behind. There are concrete paths, like credit card receipts and appointment calendars and promises you’ve made to others. There are microscopic clues, like fingerprints, that stay invisible unless you know how to look for them. But even in the absence of any of this, there’s scent. We live in a cloud that moves with us as we check e-mail and jog and carpool. The whole time, we shed skin cells—forty thousand per minute—that rise on currents up our legs and under our chins.

  Today, I’m running behind Greta, who picks up the pace just as we hit the twisted growth at the base of the mountain. I’m soaked to the thighs with muck and slush, although it doesn’t seem to be bothering my bloodhound any. The awful conditions that make it so hard to navigate are the same conditions that have preserved this trail.

  The officer from the Carroll, New Hampshire, Police Department who is supposed to be accompanying me has fallen behind. He takes one look at the terrain Greta is bulldozing and shakes his head. “Forget it,” he says. “There’s no way a four-year-old would have made it through this mess.”

  The truth is, he’s probably right. At this time of the afternoon, as the ground cools down under a setting sun, air currents run downslope, which means that although the girl probably walked through flatter area some distance away, Greta is picking up the scent trail where it’s drifted. “Greta disagrees,” I say.

  In my line of work, I can’t afford not to trust my partner. Fifty percent of a dog’s nose is devoted to the sense of smell, compared to only one square inch of mine. So if Greta says that Holly Gardiner wandered out of the playground at Sticks & Stones Day Care and climbed to the top of Mount Deception, I’m going to hike right up there to find her.

  Greta yanks on the end of the fifteen-foot leash and hustles at a clip for a few hundred feet. A beautiful bloodhound, she has a black widow’s peak, a brown velvet coat, and the gawky body of the girl who watches the dancers from the bleachers. She circles a smooth, bald rock twice; then glances up at me, the folds of her long face deepening. Scent will pool, like the ripples when a stone’s thrown into a pond. This is where the child stopped to rest.

  “Find her,” I order. Greta casts around to pick up the scent again, and then starts to run. I sprint after the dog, wincing as a branch snaps back against my face and opens a cut over my left eye. We tear through a snarl of vines and burst onto a narrow footpath that opens up into a clearing.

  The little girl is sitting on the wet ground, shivering, arms lashed tight over her knees. Just like always, for a moment her face is Sophie’s, and I have to keep myself from grabbing her and scaring her half to death. Greta bounds over and jumps up, which is how she knows to identify the person whose scent she took from a fleece hat at the day-care center and followed six miles to this spot.

  The girl blinks up at us, slowly pecking her way through a shell of fear. “I bet you’re Holly,” I say, crouching beside her. I shrug off my jacket, ripe with body heat, and settle it over her clothespin shoulders. “My name is Delia.” I whistle, and the dog comes trotting close. “This is Greta.”

  I slip off the harness she wears while she’s working. Greta wags her tail so hard that it makes her body a metronome. As the little girl reaches up to pat the dog, I do a quick visual assessment. “Are you hurt?”

  She shakes her head and glances at the cut over my eye. “You are.”

  Just then the Carroll police officer bursts into the clearing, panting. “I’ll be damned,” he wheezes. “You actually found her.”

  I always do. But it isn’t my track record that keeps me in this business. It’s not the adrenaline rush; it’s not even the potential happy ending. It’s because, when you get down to it, I’m the one who’s lost.

  * * *

  I watch the reunion between mother and daughter from a distance—how Holly melts into her mother’s arms, how relief binds them like a seam. Even if she’d been a different race or dressed like a gypsy, I would have been able to pick this woman out of a crowd: She is the one who seems unraveled, half of a whole.

  I can’t imagine anything more terrifying than losing Sophie. When you’re pregnant, you can think of nothing but having your own body to yourself again; yet after giving birth you realize that the biggest part of you is now somehow external, subject to all sorts of dangers and disappearance, so you spend the rest of your life trying to figure out how to keep her close enough for comfort. That’s the strange thing about being a mother: Until you have a baby, you don’t even realize how much you were missing one.

  It doesn’t matter if the subject Greta and I are searching for is old, young, male, or female—to someone, that missing person is what Sophie is to me.

  Part of my tight connection to Sophie, I know, is pure over-compensation. My mother died when I was four. When I was Sophie’s age, I’d hear my father say things like “I lost my wife in a car accident,” and it made no sense to me: If he knew where she was, why didn’t he just go find her? It took me a lifetime to realize things don’t get lost if they don’t have value—you don’t miss what you don’t care about—but I was too young to have stored up a cache of memories of my mother. For a long time, all I had of her was a smell—a mixture of vanilla and apples could bring her back as if she were standing a foot away—and then this disappeared, too. Not even Greta can find someone without that initial clue.

  From where she is sitting beside me, Greta nuzzles my forehead, reminding me that I’m bleeding. I wonder if I’ll need stitches, if this will launch my father into another tirade about why I should have become something relatively safer, like a bounty hunter or the leader of a bomb squad.

  Someone hands me a gauze pad, which I press against the cut above my eye. When I glance up I see it’s Fitz, my best friend, who happens to be a reporter for the paper with the largest circulation in our state. “What does the other guy look like?” he asks.

  “I got attacked by a tree.”

  “No kidding? I always heard their bark is worse than their bite.”

  Fitzwilliam MacMurray grew up in one of the houses beside mine; Eric Talcott lived in the other. My father used to call us Siamese triplets. I have a long history with both of them that includes drying slugs on the pavement with Morton’s salt, dropping water balloons off the elementary school roof, and kidnapping the gym teacher’s cat. As kids, we were a triumverate; as adults, we are still remarkably close. In fact, Fitz will be pulling double duty at my wedding—as Eric’s best man, and as my man-of-honor.

  From this angle, Fitz is enormous. He’s six-four, with a shock of red hair that makes him look like he’s on fire. “I need a quote from you,” he says.

  I always knew Fitz would wind up writing; although I figured he’d be a poet or a storyteller. He would play with language the way other children played with stones and twigs, building structures for the rest of us to decorate with our imagination. “Make something up,” I suggest.

  He laughs. “Hey, I work for the New Hampshire Gazette, not the New York Times.”

  “Excuse me . . . ?”

  We both turn at the sound of a woman’s voice. Holly Gardiner’s mother is staring at me, her expression so full of words that, for a moment, she can’t choose the right one. “Thank you,” she says finally. “Thank you so much.”

  “Thank Greta,” I reply. “She did all the work.”

  The woman is on the verge of tears, the weight of the moment falling as heavy and sudden as rain. She grabs my hand and squeezes, a pulse of understanding between mothers, before she heads back to the rescue workers who are taking care of Holly.

  There were times I missed my mother desperately while I was growing up—when all the other kids at school had two parents at the Holiday Concert, when I got my period and had to sit down on the lip of the bathtub with my father to read the directions on the Tampax box, when I first kissed Eric and felt like I might burst out of my skin.

  Now