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“My husband’s missing,” she remarked, as he joined her at the door. “He’s been gone for more than half a year.”
“God bless him, and keep you,” he said, making the sign of the cross over her head. She had never seen the gesture before, and she did not know to bow her head and cross herself. Nobody had publicly crossed themselves in England for nearly a hundred years. The people had lost the habit, and those who were still Roman Catholic were careful to keep their faith hidden.
“Thank you,” she said awkwardly.
“Do you have children?”
She opened the heavy door to the porch, looked out to see that the graveyard was deserted, and then beckoned him to follow her. They walked in single file between graves where the stones were so thick with old moss and lichen that only a few letters could be seen.
“Two still living,” she said over her shoulder. “I thank God for them. My daughter is thirteen and my son is twelve.”
“And does your boy fish in his father’s place?”
“The boat’s missing too,” she said, as if that were the greatest loss. “So we can only fish with a line from the shore.”
“Our Lord called a fisherman before he called anyone else,” he said gently.
“Yes,” she said. “But at least he left the boat.”
A laugh broke from him at her irreverence, and she turned and laughed with him and he saw, again, the bright warmth of her smile. It was so powerful and so illuminating he wanted to catch her hand and keep her smiling at him.
“The boat matters so much, you see.”
“I do see,” he said, taking hold of the shoulder straps of his pack, keeping his hands away from temptation. “How do you manage without boat or husband?”
“Poorly,” she said shortly.
At the low wall of rough stone flints at the edge of the graveyard she hitched up her brown skirt and hemp apron and swung her legs over the stile, as lithe as a boy. He climbed after her and found himself on the shore, on a little path no wider than a sheep track, with quickthorn hedges closing in on both sides and meeting over the top, so that the two of them were hidden in a tunnel of thick leaves and twisted spiky boughs. Walking ahead of him, she bent her head and wrapped her elbows in her shawl, striding out in her wooden pattens, following the erratic course of the narrow path. The sound of the sea grew a little louder as she scrambled down a bank, and then they were suddenly in the open, lit by the fitful moon in the pale sky, on a beach of a white shingle. Behind them the bank was topped by a big oak tree, its roots snaking through the mud, its down-swinging branches bending low to the beach. Ahead of them was the marsh: standing water, sandbanks, tidal pools, mud, reed islands, and a wide winding channel of water with branching silted streams swelling and lapping over the mud, flowing in little waves that broke at their feet.
“Foulmire,” she announced.
“I thought you said it was called Wandering Haven?”
“That’s what they call it in Chichester, because it wanders. They never know where the islands are, they never know where the reefs are; the rivers change their beds at every storm. But we, who live on it and know all its changes, who change our paths in obedience to its moods, who hate it as a hard taskmaster, call it Foulmire.”
“For the birds? Fowl-mire? Bird-marsh?”
“For the mud: foul,” she said. “If you misstep it holds you till the sea comes for you and you are foully drowned. If you get free you stink like a foul thing for the rest of your life.”
“Have you always lived here?” he asked, wondering at the bitterness in her voice.
“Oh, yes,” she said. “I am mired. I am bound as a tenant to a neglectful lord and I cannot leave. I am wife to a vanished man and cannot marry, and I am sister to the ferryman and he will never carry me across to the mainland and set me free.”
“Is all the coast like this?” he asked, thinking of his landing, when the captain had steered them in the dark, past reefs and over shallows. “All so uncertain?”
“Tidelands,” she confirmed. “Neither sea nor shore. Neither wet or dry, and no one ever leaves.”
“You could leave. I will have a ship,” he said lightly. “When I finish my work here, I will sail back to France. I could give you a passage.”
She turned and looked at him and once again she surprised him, this time by her gravity. “I wish to God that I could,” she said. “But I would not leave my children. And besides, I have a terror of deep water.”
She walked on ahead of him, scrunching on the shingle beach that wound between the bank and mud where the water was seeping inwards. A roosting seagull whirled up ahead of them with an unearthly call, and he followed her shadow over shingle and mud and the driftwood, hearing the steady hiss, as the sea, somewhere out in the darkness to his right, came constantly closer, flooding mudbanks, drowning the reeds, always coming unstoppably on.
She scrambled up another bank to a path that ran higher, above the tidemark, and he followed her between gorse bushes where the nighttime flowers were drained of their color and glowed silver rather than gold, but he could still smell their honey scent on the air. An owl hooted near him and made him start as he saw it, dark in the darkness, wheeling away on wide silent wings.
They walked for a long time, until the pack on his back became heavy and he felt as if he were in a dream, following the wooden heels of her pattens, the dirty hem of her skirt, through a world that had lost meaning as well as color, on a winding track through desolation. He pulled himself up, and whispered an “Ave Maria,” reminding himself that he was honored to carry the word of God, the precious objects for the Mass, and a ransom for a king; he was glad to have to struggle on a muddy path through an unmapped shore.
The sea seeped farther inland as if it knew no boundary. He could see the water creeping through the driftwood and straw on the shingle below them, and on the other side of the bank the ditches and ponds were swelling and flowing back inland as if it were, as she had said, a place that was neither sea nor shore but the land itself that ebbed and flowed with the tide. He realized that for some time he had heard a strange hissing noise overlaying the sound of the lapping water, like the seething of a giant stewpot, like the bubble of a kettle.
“What is that? What is that noise?” he whispered, stopping her with one hand on her shoulder. “Do you hear it? A terrible noise! Strange, like the water is boiling.”
She halted, quite unafraid, and pointed out into the middle of the moving water. “Oh, that. Look, there, out there, in the mire, can you see the bubbles?”
“I can see nothing but waves. God save us! What is it? It sounds like a fountain?”
“It’s the hushing well,” she said.
He was absurdly frightened. “What is it? What is that?”
“Nobody knows,” she said indifferently. “A place in the center of the mire where the sea boils as it comes in. Every high tide, so we pay no attention. Sometimes a stranger takes an interest in it. A man told my brother it was probably a cave, underneath the mire, and the bubbles pour from it when the sea fills it. But nobody knows. Nobody’s ever seen it.”
“It sounds like a seething pot!” He was horrified by the strangeness of the sound. “As if it were hell boiling over!”
“Yes, I s’pose it’s fearful.” She had no interest in it.
“What does it look like when the sea goes out?” he asked curiously. “Is the ground hot?”
“Nobody’s seen it when the tide is out,” she repeated patiently. “You can’t walk to it. You’d sink and the mire would hold you till you drowned on the next tide. P’raps it’s a cave—and you’d fall into it. Who knows? P’raps there really is a cave that holds all the sea, the waters that ebb and flow underneath all the world. P’raps it’s the end of the world, hidden away here in Foulmire, and we’ve been living on the doorstep of hell for all these years.”
“But the noise?”
“You can take a boat over it,” she offered. “It bubbles like a cauldron and it hisses loudly. So