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  ‘I’m Louise Case.’

  ‘Where’s the old one?’

  ‘The old one? Oh! my aunt. I’m afraid she died.’

  The woman nodded at the information. ‘And it was you put up the fence, did you? Who broke it?’

  ‘Mr Miles skidded on the corner.’

  ‘Drunk again?’

  Louise had to stop herself agreeing.

  ‘I’ll thank you for some water,’ the old woman said abruptly. She reached behind her and produced an enamelled and brightly painted jug. She held it out to Louise, not moving from her eminence at the top of the steps. Louise hesitated and then opened the gate, and walked towards the big dog. His ears dropped, his grin widened, his feathery tail stirred slightly in the grass. Louise stretched up to receive the jug; the old woman did not trouble herself to descend even one step.

  Louise took it and went into the house, through the study into the kitchen. She ran water, and filled the jug. It was a beautiful example of folk art, painted in the bright garish colours beloved of gypsies, bargees, and all travelling people. There was a big surreal bunch of pink cabbage roses on one bright red side, and a sheaf of blue flowers like delphiniums on the other. Louise carried it back out into the sunshine.

  The old woman was still at the head of her steps in the darkened doorway. Louise had to go through the gate again and closer still to the dog. As she handed up the jug, his breath stirred against her bare calf and she flinched. The old woman smiled at her discomfort.

  ‘Thank you,’ she said, and turned and went back inside the van again without another word.

  Louise retreated behind the safety of the gate. ‘I wanted to know …’ she called. ‘When you will be moving on?’

  There was absolute silence from the inside of the van. It rocked slightly as if the old woman was about her private business with her fresh water and her brightly painted jug. The dog gazed at Louise.

  ‘When will you be moving on? Actually?’

  There was no answer. The dog settled back down and rested his chin on his silky front legs. Only his brown eyes and his mobile eyebrows followed Louise. Defeated, she went slowly back to the house. Out of habit she took her seat again before her word processor and looked at the blank screen. Beyond the screen, where there should have been the bobbing blossom of her apple orchard, the dented blue roof of the van loomed imperturbably solid.

  Louise found she could not work at all and closed down the word processor and went to the kitchen which faced coldly north, over the lane, and made herself a cup of coffee. She thought she would go into town early, see Toby, and have a drink with him at the Suffix University post-graduate bar before the meeting with Miriam. There was no point in trying to work any more. Her concentration was gone for the afternoon.

  Toby was in the bar, sitting at a table with half a dozen students. Louise felt the familiar tweak of desire when she looked around the crowded bar and was suddenly, once more, struck by the sight of him. She smiled and waved. Toby waved back but did not rise to greet her. Louise bought herself a drink and joined them. She knew all the students; one or two of them were writing MA theses under her supervision. They were laughing with Toby, there was a running joke about what sort of poetry a Conservative government would admire. Kipling was mentioned, and Wordsworth.

  ‘But only if they didn’t understand what he was saying.’

  ‘Oh, but if we assume they don’t understand we can give them anything. Shelley! Keats! Plath!’

  Toby glanced at Louise and smiled. ‘Did you expel your trespasser?’ he asked.

  The students, experts at interpreting when their time was up, moved discreetly to the far end of the table and exchanged gossip about external examiners.

  ‘No.’ Louise took a sip of wine and set herself to amuse him. ‘I strode down to the end of the garden to assert my rights and found myself delivering fresh water. I shall be taking in her laundry next.’

  ‘Her?’

  ‘It’s a woman. Eighty if she’s a day. Dressed for a gypsy ball and with a huge silent dog. I don’t know if she’s travelling alone. I haven’t seen anyone else. I was rather thrown by the whole thing. I came into town early and I’ve been working in the library. I can’t write at home. Every time I glance out of the window all I can see is this most enormous van!’

  Toby smiled. ‘How wonderfully surreal! Did she say when she was moving on?’

  ‘She said absolutely nothing. She asked me where my aunt was and I told her that she’d died. She asked me how the fence got broken and suggested that Mr Miles was drunk. She obviously knows her way around. Perhaps she’s a regular visitor and I’m on her route.’

  Toby rested his hand gently on hers as she held her glass. ‘As long as she’s no trouble, I suppose it doesn’t matter?’

  Louise let her hand rest passive under his touch even while she protested: ‘Yes; but I don’t want her there! I can’t see out of my study window, I can’t see out of the sitting-room window. When I look out of my bedroom window I look down on this enormous pantechnicon! What are her bathroom facilities? What if she starts burning my trees or my fence posts?’

  Toby nodded. ‘We’d better hope she moves on then,’ he said. ‘Or we’ll have to do something about it.’

  Louise was mollified at once by his use of the word ‘we’.

  ‘Are you coming back to dinner after the meeting?’

  ‘Miriam asked me. She said you were cooking.’

  Toby nodded. ‘I thought I’d do lentil soufflé.’

  ‘Lovely.’

  ‘You could stay overnight. Perhaps your gypsy will be gone in the morning.’

  It was not unusual for Louise to stay in Toby and Miriam’s spare bedroom. Meetings often went on late or, enjoying their company, she drank more wine than was safe if she were to drive home. A new tenant now lived in their studio flat which had been Louise’s home for six years. But she still felt a sense of ownership and comfort in the house. Although Louise and Toby never planned intercourse – they prided themselves on being spontaneous rather than calculating adulterers – Miriam always woke at seven and left the house at eight to be at her desk at eight thirty when the first bruised refugees from the night would start arriving. Toby and Louise never had to be at the university until ten. There was always time to make love, have a shower and eat a leisurely breakfast.

  ‘I might stay,’ Louise said unhelpfully.

  One of the reasons behind her move to the country and a house of her own was a feeling that Toby’s sexual convenience was too well served by an attractive wife in his bed, and an attractive mistress in his upstairs flat. The arrangement had been of Louise’s own making – she had found them the house to buy and then suggested that she rent their studio flat – but after the illicit delight of the early months, she wondered if the chief beneficiary was Toby. His occasional affairs at the university, so prone to heartbreak and disaster, ceased. He no longer had to invent plausible late-night meetings to satisfy Miriam’s polite inquiries. He was no longer exposed to the risk of gossip among the undergraduates.

  But his affair with Louise did not cramp his sexual style. If he was attracted to a woman at a conference they would sleep together, and he would tell Louise openly and frankly that he had done so. There was no reason for them to be monogamous lovers. It was only Louise who found that no-one pleased her as Toby did and that other encounters left her weepy and depressed. It was Louise, not Miriam, who dreaded Toby’s weekend conferences on ‘Vandalism and the Inner Cities’ or ‘Dependency Culture’. Miriam had the security of a contractual, property-sharing marriage. Louise sometimes feared that she was peripheral.

  Even worse for Louise was that the chief beneficiaries of her arrangement were both Toby and Miriam. Louise did more than her share of housekeeping. She cooked meals for the three of them, she stayed at home to greet plumbers and electricians when Miriam had to be at work. When the married couple took their long summer holiday cycling in France, Louise maintained the house in their absence. M