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Second Glance: A Novel Page 7
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When Ross put his hand on his nephew's neck, the boy nearly leaped out of his skin. "Ethan," Ross said, "you okay with this?"
Ethan was shaking in his shoes. "Yeah. Oh, yeah, sure, I'm totally cool."
"Because I can take you home. It's not a problem." Ross stared soberly at Ethan. "You can tell everyone I was the one who wouldn't let you stay."
In response, Ethan took hold of the splintered railing on the stairs and started to climb.
With a sigh, Ross followed. Maybe Ethan wanted to be here, but he sure as hell didn't. When van Vleet had asked him to investigate some of the paranormal phenomena at the Pike property, he'd refused. And then he'd seen his sister watching him, waiting.
He'd set four conditions. First, Ross was in charge of the investigation, and would take orders from no one, including the head of the Redhook Group himself. Second, the only people allowed on the property during the investigation would be Ross and his assistant--Ethan, to the boy's utter surprise and delight. Third, Ross wanted no information about the history of the property until he asked for it-- otherwise, the impressions he got might be tainted. Fourth, he would take no money for his services--unlike the Warburtons, who would give any client a ghost, for the right amount of cash.
In return, Ross promised to keep this investigation "quiet." Because the Powers That Be at the Redhook Group didn't want the entire world to know they might actually be giving credence to a belief in the supernatural.
So now, here he was, setting up for a night observation and falling back into the familiar as if it were a featherbed. Ethan waited at the top of the stairs like a zealous puppy. "Put the camera down," Ross instructed. "Let's do a walkthrough and see if you get anything."
"Get anything? Like what?"
Ross had to stop and think for a moment. How did you explain to a kid the sensation of splitting your mind at its seams, so that every scent and sight left an imprint? How did you describe the feeling of the air growing heavy as a blanket, settling over your ribs? "Close your eyes," Ross said, "and tell me what you see."
"But--"
"Just do it."
Ethan was silent at first. "Light . . . shooting out from the corners."
"Okay." Ross gently turned him in a circle, like pin-the-tail-on-the-donkey. Then he steadied Ethan's shoulders. "Now . . . without peeking . . . where are the stairs?"
"Behind me," Ethan said, the wonder of this sixth sense shaking through his voice.
"How do you know?"
"It . . . well, it feels like a hole in the air back there."
Ross pivoted Ethan, then tapped him on the head hard enough to make his eyes fly open. "Good job, Boy Wonder. That was lesson number one."
"What's lesson number two?"
"To stop asking for lessons."
Ross walked through the hallway. Any furniture or family relics that had been in this home were long gone, their original placement marked only by the fading of the paint or scuff marks on the filthy floor. The upstairs held three small bedrooms and a bath. A staircase led up to a tiny servant's alcove.
"Uncle Ross? When will they get here?"
"If there are ghosts, they're already here." Ross peeked into the bathroom. The claw-footed tub was there, cracked in the middle, and an old commode with an overhead tank. "In fact, they're probably checking us out. If they decide they like what they see, they'll try to get our attention a little later."
When Ethan turned the faucet, a brown residue leaked out. "Do they care that we're here?"
"They might." Ross felt along the window, examining the seal. "Some ghosts are desperate to get someone to notice them. But some ghosts don't know they're dead at all. They're gonna see us and wonder why we're in their house. That is," he challenged loudly, "if there are even any here."
Come and get me, Ross thought.
He walked back down the stairs, examining the kitchen, the pantry, the cellar, and the living room. A small study with double doors still had a wing chair in it, a shredded hunk of leather where a family of mice had made its nest. Old newspapers littered the floor on this level, and the walls were smeared with what seemed to be axle grease.
"Uncle Ross? Is Aimee a ghost?"
He felt the hair stand up on the back of his neck, and it had nothing to do with the paranormal--only true, human shock. "I don't know, Ethan." He shoved aside the image of Aimee that rose to his mind, like a mermaid surfacing from the otherworld of the ocean. "Dying . . . well, I think it's like taking a bus. Most people, they enjoy the ride and go on to whatever comes next. But some people get off before that last stop."
"Maybe she got off to see you."
"Maybe," Ross said. He turned away, intent on heading up the stairs before he embarrassed himself in front of his nephew.
"Why do you think the ghost that lives here got off the bus?"
"I don't know."
"What if--"
"Ethan," Ross interrupted. "Shh." He turned in a circle, trying to catch onto the minnow of a thought that swam through his mind, too quicksilver to show itself clearly. Trying to focus, he leaned over the railing to frown at the filth littering the base of the stairs, at the quiet twitching of rodents. He glanced at a hornet's nest in the corner.
Other organic detritus netted the hall--spider filaments and dust mites, moss and mold--the thriving scars of negligence and damp weather. Ross walked into the bedroom that looked out onto the rear of the property. There, the wooden planking was black with dirt, and strewn with broken pottery and candy bar wrappers. But the ceiling was as bare as if it had been swept clean that morning. Not a single cobweb, no fungus, no insects. In spite of the condition of the rest of the residence, no living organism had taken root in this room for some time.
Ross turned to his nephew. "This," he said, "is where we'll set up."
"I don't know what happened," said Lucy's camp counselor, a girl so young she might have passed for a child herself. She hurried Meredith down a path toward the supply shed, inside which Lucy had locked herself forty-five minutes ago. "One minute she was playing dodgeball, and the next minute she ran away screaming."
One of Meredith's heels caught on a rock and nearly sent her pitching forward. Did she have Lucy's medicine? If she was scared, so scared she couldn't be coaxed out of the dark, she was probably having an asthma attack. "We called home right away," the counselor said. "Your mother said she can't drive."
"My grandmother," Meredith corrected absently. In her late seventies, Ruby was smart as a tack, but she no longer felt comfortable behind a wheel. She'd called Meredith at the lab. An emergency, she'd said.
They had reached a small wooden building at the edge of the woods. "Lucy?" Meredith rattled the handle. "Lucy, you open this door right now!" She banged against it with her fist, twice. On the third strike it swung forward on its hinges, and Meredith crawled inside.
The stale heat hit first. A net bag filled with rubber kick-balls to form an oversized molecule blocked her from getting to Lucy, who was wheezing hard behind a tower of orange safety cones and badminton racquets. Her daughter clutched a train of purple satin to her chest, the remnant of a costume from an old summer musical. She was crying.
"Here," Meredith said, handing over the Albuterol, which Lucy dutifully corked into her mouth and sucked in. She had learned long ago that no matter how difficult it was to see your child struggling for air, you could not breathe for her. Her first instinct was to drag Lucy out of this musty closet, for the sake of her asthma; but something told Meredith that not attending to Lucy's fears first might be equally as damaging. So she slid an arm around her daughter's shoulders. "How come it's even called Dodge ball?" she mused, as if it were perfectly normal to be holding a conversation here. "I mean, why not Jeep ball or Lexus ball or even Chevrolet ball?"
"You're supposed to move out of the way." This, from the side of Meredith's shoulder, where Lucy had buried herself. "That's what the dodge is for."
"Ah." She nodded slowly. "I probably knew that, once."
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