Keeping Faith Read online



  She's been picturing the car in a ditch, wrapped around a tree--clearly, he is too upset to be out driving. Relieved that he's safe, she walks from her bedroom to the living room. The fumes of alcohol reach Mariah before she even sees Ian lounging on the couch with his shirt unbuttoned, gripping a bottle of Canadian Club by the neck. "Please, just go away."

  Mariah wets her lips. "I'm so sorry, Ian. I don't know why Faith was able to help my mother but not Michael."

  "I'll tell you why," he says tightly. "Because she is a goddamned hoax. She couldn't heal a fucking paper cut, Mariah! Just give up the act already, will you?"

  "It's not an act."

  "It is. It's all an act." He waves the bottle, sloshing liquor on the couch cushions. "I've been acting since the minute I saw y'all on the plane, and God knows your daughter's gunning for a goddamned Oscar, and you...you--"

  He leans so close to Mariah, she can taste the Canadian Club on his breath. She hesitates, then leans forward and kisses him.

  It is slow at first, a gentle rubbing of his lips against hers. She reaches around his head and brings him closer, kissing him deeply, drawing out whatever is hurting him so badly.

  Ian's throat works for a moment before he can speak. "What was that for?"

  "I'm not acting, Ian."

  Setting his palms on her cheeks, Ian tips his forehead to hers. "You don't understand."

  Mariah stares at his haunted features, but sees instead Ian sitting beside his twin, trying to play by the odd rules of engagement because it's better to have that than nothing at all. Ian's wrong. She knows him better than he might think.

  "I'd like to understand," she says.

  Ian Fletcher had been born two and a half minutes before his brother Michael: bigger, stronger, more active than his twin, a circumstance for which he'd been paying for the rest of his life. Clearly, Ian had taken the lion's share of nourishment and space in the womb, and although no doctor ever said so, he felt responsible for his brother's ill health and slow responsiveness, perhaps even for the autism that Michael was diagnosed with as a toddler.

  Their parents had been rich, jet-setting socialites from Atlanta who married late in life and held their Learjet, their restored plantation manor, and their condo on Grand Cayman in much higher esteem than they did their twin sons. Ian and Michael had been a mistake, and clearly one they didn't talk about, since something was obviously not quite right with one of the boys. They lived high off the hog, traveling around the world for months at a time and leaving Ian and Michael in the hands of whatever tutor or nanny had been hired to deal with them. Ian knew he was responsible for Michael; he understood that as soon as he was able to understand the differences between them. Privately tutored, Ian did not have friends or playmates. What he had, what he'd always had, was his brother.

  When Ian was twelve, his father's lawyer arrived in the middle of the night with the local sheriff. His parents' plane had crashed in the Alps, and there were no survivors.

  Overnight the world changed. Ian learned that the lifestyle to which they'd been accustomed was courtesy of an immense credit-card debt, one that left the boys bankrupt before an inheritance could even be considered. Ian and Michael were placed in the reluctant custody of his mother's sister and her Bible-thumping husband, and uprooted to Kansas. But his aunt and uncle had no intention of trying to understand Michael's pyschological problems, and they didn't have the resources to hire someone else to do so. The state's public-education system would have paid to send Michael anywhere in Kansas, but no one researched the choices, and so Michael was sent to the nearest institution with an open bed, a place that reeked of feces and urine, a place where Michael was the only patient even able to talk.

  Ian visited him, even when his aunt and uncle stopped coming. He went to the library and found out which residential homes had the best reputations, but no one would listen. He spent six years wondering what horrors Michael had suffered that made him regress, unwilling to dress himself in the morning and rocking more often in silence and absolutely, positively refusing to be touched.

  On the day that Ian and Michael turned eighteen, Ian dressed in a secondhand suit from a thrift store and petitioned a Kansas City court for custody of his brother. He got a scholarship to Kansas State and worked around the clock to pay for his books and to save money. He learned all about group homes for autistic adults and met with doctors who told him Michael was not capable of such an independent arrangement yet. He learned about assisted-care facilities--how they took both federal and state aid, and would take some indigent cases, but very few. How you had to know someone in the right place at the right time, or you'd be told there were no beds available. How you then paid for a quality of care, and continued to pay, lest that precious bed be given to someone else.

  Ian's drive to succeed was fueled by his brother. It dovetailed naturally with the fact that a long time ago, he'd stopped believing in God. What God would have taken away his parents, his childhood? Most important, what God would have done this to his brother? Ian was angry, and, to his surprise, people wanted to listen: first, grade-school English teachers, then theology professors, then radio listeners, and then TV producers and viewers. The more famous he became, the easier it was to pay Michael's board at Lockwood. The more outspoken he became, the more quickly he clawed his way back to a lifestyle he had only barely remembered.

  When Michael was twenty-two, he began to feed himself again. At twenty-six he was able to button his own shirt. At thirty-seven he still refuses to be touched.

  Suddenly Mariah understands what has fashioned a man like Ian Fletcher. He spent years making himself into someone other than that lost little boy--into someone whose cornerstone is disbelief in God--and with good reason. How painful it must have been to find himself hoping--praying--that a miracle might come about after all.

  She also realizes that Ian might have gotten his brother into Lockwood, and might have reached the financial peak he'd staked out in order to pay for his brother's care, but her intuition tells her that Ian hasn't gotten what he needs most of all. He's been taking care of Michael all his life--but it has been years since anyone has taken care of Ian.

  Mariah starts out slowly, running her hand over his hair, then flipping it over so that her knuckles graze his throat and his jaw. She raises her palms to his cheeks and draws them down the slope of his shoulders, watching him close his eyes like a cat in the sun. Then she wraps her arms around him tightly, fits her face into the crook of his neck, and feels him shudder.

  His arms close about her with such force that she cannot breathe, cannot do anything but ride out the crest of his need. His hands map her back and her shoulders, his lips falling at her ear. "Thank you," he whispers.

  Mariah draws back and kisses him. "My pleasure."

  Ian smiles. "Let's hope so." He kisses her and lets his lips silver her skin. He undresses her, reaches into his wallet for a condom, and uses his hands and his tongue to navigate her body.

  Is it her imagination, or does he linger at her wrists, the places that still make her ashamed? Mariah pictures herself shrinking, small and malleable beneath Ian's hands, until she feels that surely she would be able to fit inside one of her dollhouses, walk on its pristine floors and look into its spotless mirrors. She opens her eyes as Ian moves over her, into her.

  It has taken years to find out, she thinks, but this is what it was like to be a perfect fit.

  Ian's rhythm becomes stronger. Mariah strains toward him, her fingers clutching his shoulders, her mouth round on the salt of his skin. She stops thinking about Ian's past, about Faith's future, about anything at all. And just before Mariah splinters around him, she hears Ian's voice fanning past her temple. "Oh," he cries, lost in her. "Oh, God!"

  "I didn't," Ian says, chuckling.

  "You did."

  "Why do you think that is? I mean, it happens all the time, but if it's just you and me in bed, why would I call out God's name?"

  Mariah laughs. "Force of habit."