Among the artifacts that did interest her were those the museum claimed had belonged to the Arcosian Empire, which tried to crush and enslave Sacoridia a thousand years ago. There were some fragile scraps of parchment with faded, foreign script on them, some rusted weapons and bits of twisted metal that looked like articulated pieces that had once fit together. The label could only tell her: Metal pieces excavated on shore of Ullem Bay, believed to have originated in Arcosia.

There was a belt of silver links embossed with gold, pitted and discolored, with a lion’s head on the buckle. Here the label was more explanatory: Officer’s belt, elite Lion Regiment, Arcosian Empire.

Karigan had traveled to the time of the Long War and saw some of the empire’s forces firsthand. One of her ancestors, in fact, had hailed from Arcosia, a brutal man intent on subjugating the Sacoridians who had, in the end, betrayed Mornhavon to stop the war and suffering. It was difficult to believe that all that remained of the Arcosian occupation were these few rusted artifacts. Considering the alternative, she supposed it was a good thing.

She glanced Braymer’s way and caught Styles yawning while his ward examined some shields mounted on the wall. There were a few other visitors poking about, gazing into cases, and an attendant making sure no one touched anything.

Karigan slipped into a side hall, hoping to find a more interesting display, only to come face-to-face with King Zachary, his bared sword held high.

THE MAN IN THE SILK MASK

Karigan’s compressed lungs emitted only a squeak upon the menacing sight. She backed away, her hand on her heaving chest.

There was a soft chuckle beside her, and she whirled to find a red-coated attendant there.

“Lifelike, isn’t he?” he asked.

Karigan swallowed hard and looked upon the king again, feeling rather stupid. It was a wax figure made to look like the king. The effect was hauntingly realistic, from the silver fillet crowning its head of amber hair to the sword it gripped, a replica of the king’s own.

The figure was part of a tableau with banners hanging on the wall behind it, and the traitor Lord-Governor Tomastine Mirwell kneeling at the block, a basket ready to receive his head. Mirwell was as Karigan remembered him on that day, an old, crusty man with a bear pelt draped over his shoulders, who had needed the aid of servants to hobble onto the platform to meet his end. Certainly a piteous sight that was, perhaps, even worse punishment for such a proud man than the execution itself had been.

The figure of the king was attired in black, just as the real king had been the day of the execution. It had been a terrible thing to witness, and she knew it had lain heavily on King Zachary for a long time. As far as Karigan was concerned, old Mirwell got what he deserved. He had nearly succeeded in handing over the kingdom to Zachary’s villainous brother, Prince Amilton. Unfortunately, some of their conspirators were still at large, concealing themselves well enough to evade king’s law.

“Originally the artists set up the scene for just after decapitation,” the attendant said, “but too many people had not the stomach for it. Too realistic.”

Karigan gave him a sidelong look. He sounded disappointed.

He moved off to chat with a couple gazing at other figures in the hall. She turned her attention back to the “king,” and shuddered. His expression was wrong. He looked crazed, when all she could remember from that day was resolve. And remorse. Gazing more closely, she noted other inaccuracies. His chest and shoulders, for instance, were not the breadth to which she was accustomed, and his hips—

When she caught the direction in which that line of thought was heading, she silently cursed herself and tore her gaze away from the wax figure, forcing herself to look at the other tableaux. There were likenesses of other kings and queens, various heroic knights and warriors from Sacoridia’s past, and a pair of aristocrats dueling for a lady’s favor. There was no way of knowing if these visages were accurate, since she had never met those whom the figures represented, with the exception of the first high king, Jonaeus.

He sat on a thronelike chair, sunshine streaming on him from an arched window above. Though the label claimed this was King Jonaeus, the figure was all wrong. It certainly looked kingly with its crown and strong features, but it wasn’t at all as she remembered. King Jonaeus had been a grizzled, wearied warrior with gray in his beard. Even the clothing was inaccurate. She couldn’t imagine him having access to finely tailored silks, a luxury unheard of during the time of the Long War. In life, he was a man of hard leathers, coarse wool, and iron. There was no way the artists could have known his true appearance, she reminded herself, the way she had. They could only make guesses and create a representation.

She shrugged and was about to move on to the next tableau when glass shattered and someone screamed. Startled, she grabbed her skirts and hurried out to the main hall as fast as her daintily-shod feet would carry her. A surprising sight greeted her. A man wearing a black silk mask stood in the center of the hall fending off attendants and museum patrons with a rapier. In his other hand he held a document taken from a smashed case.

“Priceless!” an attendant sobbed. “Please, I beg of you! Please don’t take it.”

No one else moved. Ladies clung to their escorts, faces pale. Gentlemen stood frozen as if a spell had been worked upon them. Braymer looked his usual bewildered self, but was silent for once, with Styles bravely splayed in front of his young ward.

“Priceless to you maybe,” the masked man told the attendant, “but eminently useful to me.” Then to the rest he added, “My apologies for interrupting your afternoon. Good day.” And he saluted them with his sword.