Take a Bow Page 10


I nod like I have any clue what she’s talking about. I know she’s nervous about the lineup and I want to be there for her, but senior year has made me realize that I have my own issues, too. I thought going to high school would give me some sort of sense of who I really am. But it’s just another part I’m playing. And now I’m playing the role of Understanding Boyfriend.

Still, having a girlfriend at school is one of the things that makes me feel normal. Plus, she’s superhot.

It’s not that I don’t want to play the boyfriend role, but I guess there’s no denying there’s been some tension between us lately. She’s become so obsessed with being the biggest star at CPA, it’s getting in the way of our relationship. When she’s not worried about an audition, she’s a ton of fun, and she likes to be out and be seen (something Mom wants me to do for my career — be in papers, online, TV, you name it. Got to stay relevant, I guess). Although sometimes I get the feeling that it’s an act to her, too.

SOPHIE: Did you hear that Zach did a monologue from Richard III?

I groan. I know Sophie, and everybody else for that matter, probably thinks my attitude is because Zachary David is the other lead student in the drama department and we are always competing for roles, but he’s the one who considers me competition, not vice versa. My disgust is over my real nemesis: Shakespeare. That guy kills me. I get why he’s a big deal, I really do. But it’s hard to memorize pages and pages of something that makes zero sense. And did people ever really talk like that?

But of course Zach auditioned with Shakespeare. He’s by far the better actor, one of the best I’ve ever seen. I’m aware that I’m not even in the top half of the class, but I always seem to get the lead. Which pisses everybody off. And it should. I know why I get the lead parts — it’s because any production I’m in sells out. It’s all about the money, and my name equals tween girls and their moms. A school like CPA requires a lot of funding for costumes, sets, instruments, etc. And “Carter Harrison” still sells tickets.

Although I don’t think my acting does anything for the school’s reputation.

We find some seats in the auditorium and wait for our fates. You could hear a pin drop as Dr. Pafford takes the stage and gets right to what we are all here for.

DR. PAFFORD: The following is the order of the performances for Monday’s assembly. If your name isn’t called, please exit the auditorium and have a good weekend. First up, Sarah Moffitt singing “Somewhere” from West Side Story.

Sophie growls at the mere mention of Sarah’s name. Sarah is her nemesis.

DR. PAFFORD: Up next, I will be combining two performances. The string quartet of Collins, Hoffman, McDonnell, and Shannon will perform Vivaldi while the art of Trevor Parsons is displayed overhead.

Trevor’s an amazing artist. I go to all his openings. I love to draw — I love it more than acting — and he’s been an inspiration to me. Although I don’t think I could ever show anybody my art. My art is the only thing that I feel truly belongs to me. It would be too difficult to open myself up that way.

DR. PAFFORD: Sophie Jenkins will perform an original song by Amanda Jones.

SOPHIE (quietly): I’m third? Are you kidding me?

I find it odd that her first reaction isn’t mine. That song is Emme’s. I try to catch Emme’s eye from across the room, but she’s looking straight ahead, her face bright red. I’m good at reading people (been doing it forever) and it’s clear she’s about ready to cry. Meanwhile, Ethan, Ben, and Jack look like they’re about to commit a murder. I wish I had friends who would stick up for me like that.

The list of performers continues and we reach the final three.

DR. PAFFORD: Zachary David will be performing from Richard III, followed by Connelly, Coombs, McWilliams, and Quinn performing an original song by Ethan Quinn. Finally, we’ll close out with Carter Harrison.

I hear the collective dissent in the room. After we get further instructions on the performance, we’re excused, and I think it’s probably best to leave, more for Sophie’s safety than for my own.

I see Jack approach us. He usually has a permanent smile on his face, but not today.

JACK: Congrats, guys. That’s really great. Great.

It’s pretty obvious he doesn’t think it’s great.

JACK: Hey, Sophie, I didn’t know you weren’t performing Emme’s song.

SOPHIE: What? Yes, I am.

JACK: Really? Did you bother telling anybody?

SOPHIE: What are you talking about?

Emme approaches us, with Ethan and Ben right behind her. I wonder if she knows how lucky she is to have such supportive friends.

JACK: Did you not hear who they gave the song credit to?

SOPHIE: To be honest, I was a little shocked that my name was only called third.

EMME: Hey, guys, it’s fine. Just a mistake.

Ethan is glaring at Sophie. Ben looks like he’s prepared to break up a fight.

EMME: It’s fine, really. I’ll be performing it with her on Monday, so there won’t be any confusion. Sophie, why don’t you come over tomorrow so we can practice?

SOPHIE: What are you guys even talking about?

JACK: Pafford said Amanda wrote the song.

Sophie seems to come out of her trance.

SOPHIE: Oh, no, I didn’t hear. I was so upset over not being in the second half. I’m so sorry, Emme. I really don’t know what happened, honestly.

Sophie hugs Emme. And everything seems to be right with them. It always is.

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