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  If it were regarded solely as a chronicle of a man’s amorous adventures, then without a doubt there was nothing to touch it. Casanova’s Memoirs read like a parish magazine in comparison, and the famous lover himself, beside Oswald, appears positively undersexed.

  There was social dynamite on every page; Oswald was right about that. But he was surely wrong in thinking that the explosions would all come from the women. What about their husbands, the humiliated cock-sparrows, the cuckolds? The cuckold, when aroused, is a very fierce bird indeed, and there would be thousands upon thousands of them rising up out of the bushes if The Cornelius Diaries, unabridged, saw the light of day while they were still alive. Publication, therefore, was right out of the question.

  A pity, this. Such a pity, in fact, that I thought something ought to be done about it. So I sat down and reread the diaries from beginning to end in the hope that I might discover at least one complete passage which could be printed and published without involving both the publisher and myself in serious litigation. To my joy, I found no less than six. I showed them to a lawyer. He said he thought they might be ‘safe’, but he wouldn’t guarantee it. One of them – ‘The Sinai Desert Episode’ – seemed ‘safer’ than the other five, he added.

  So I have decided to start with that one and to offer it for publication right away, at the end of this short preface. If it is accepted and all goes well, then perhaps I shall release one or two more.

  The Sinai entry is from the last volume of all, Vol. xxviii, and is dated 24 August 1946. In point of fact, it is the very last entry of the last volume of all, the last thing Oswald ever wrote, and we have no record of where he went or what he did after that date. One can only guess. You shall have the entry verbatim in a moment, but first of all, and so that you may more easily understand some of the things Oswald says and does in his story, let me try to tell you a little about the man himself. Out of the mass of confession and opinion contained in those twenty-eight volumes, there emerges a fairly clear picture of his character.

  At the time of the Sinai episode, Oswald Hendryks Cornelius was fifty-one years old, and he had, of course, never been married. ‘I am afraid,’ he was in the habit of saying, ‘that I have been blessed, or should I call it burdened, with an uncommonly fastidious nature.’

  In some ways, this was true, but in others, and especially in so far as marriage was concerned, the statement was the exact opposite of the truth.

  The real reason Oswald had refused to get married was simply that he had never in his life been able to confine his attentions to one particular woman for longer than the time it took to conquer her. When that was done, he lost interest and looked around for another victim.

  A normal man would hardly consider this a valid reason for remaining single, but Oswald was not a normal man. He was not even a normally polygamous man. He was, to be honest, such a wanton and incorrigible philanderer that no bride on earth would have put up with him for more than a few days, let alone for the duration of a honeymoon – although heaven knows there were enough who would have been willing to give it a try.

  He was a tall, narrow person with a fragile and faintly aesthetic air. His voice was soft, his manner was courteous, and at first sight he seemed more like a gentleman-in-waiting to the Queen than a celebrated rapscallion. He never discussed his amorous affairs with other men, and a stranger, though he might sit and talk with him all evening, would be unable to observe the slightest sign of deceit in Oswald’s clear blue eyes. He was, in fact, precisely the sort of man that an anxious father would be likely to choose to escort his daughter safely home.

  But sit Oswald beside a woman, a woman who interested him, and instantaneously his eyes would change, and as he looked at her, a small dangerous spark would begin dancing slowly in the very centre of each pupil; and then he would set about her with his conversation, talking to her rapidly and cleverly and almost certainly more wittily than anyone else had ever done before. This was a gift he had, a most singular talent, and when he put his mind to it, he could make his words coil themselves round and round the listener until they held her in some sort of a mild hypnotic spell.

  But it wasn’t only his fine talk and the look in his eyes that fascinated the women. It was also his nose. (In Vol. xiv, Oswald includes, with obvious relish, a note written to him by a certain lady in which she describes such things as this in great detail.) It appears that when Oswald was aroused, something odd would begin to happen around the edges of his nostrils, a tightening of the rims, a visible flaring which enlarged the nostril holes and revealed whole areas of the bright red skin inside. This created a queer, wild, animalistic impression, and although it may not sound particularly attractive when described on paper, its effect upon the ladies was electric.

  Almost without exception, women were drawn towards Oswald. In the first place, he was a man who refused to be owned at any price, and this automatically made him desirable. Add to this the unusual combination of a first-rate intellect, an abundance of charm and a reputation for excessive promiscuity, and you have a potent recipe.

  Then again, and forgetting for a moment the disreputable and licentious angle, it should be noted that there were a number of other surprising facets to Oswald’s character that in themselves made him a rather intriguing person. There was, for example, very little that he did not know about nineteenth-century Italian opera, and he had written a curious little manual upon the three composers Donizetti, Verdi and Ponchielli. In it, he listed by name all the important mistresses that these men had had during their lives, and he went on to examine, in a most serious vein, the relationship between creative passion and carnal passion, and the influence of the one upon the other, particularly as it affected the works of these composers.

  Chinese porcelain was another of Oswald’s interests, and he was acknowledged as something of an international authority in this field. The blue vases of the Tchin-Hoa period were his special love, and he had a small but exquisite collection of these pieces.

  He also collected spiders and walking-sticks.

  His collection of spiders, or more accurately, his collection of Arachnida, because it included scorpions and pedipalps, was possibly as comprehensive as any outside a museum, and his knowledge of the hundreds of genera and species was impressive. He maintained, incidentally (and probably correctly), that spiders’ silk was superior in quality to the ordinary stuff spun by silkworms, and he never wore a tie that was made of any other material. He possessed about forty of these ties altogether, and in order to acquire them in the first place, and in order also to be able to add two new ties a year to his wardrobe, he had to keep thousands and thousands of Arana and Epeira diademata (the common English garden spiders) in an old conservatory in the garden of his country house outside Paris, where they bred and multiplied at approximately the same rate as they ate one another. From them, he collected the raw thread himself – no one else would enter that ghastly glasshouse – and sent it to Avignon, where it was reeled and thrown and scoured and dyed and made into cloth. From Avignon, the cloth was delivered directly to Sulka, who were enchanted by the whole business, and only too glad to fashion ties out of such a rare and wonderful material.

  ‘But you can’t really like spiders?’ the women visitors would say to Oswald as he displayed his collection.

  ‘Oh, but I adore them,’ he would answer. ‘Especially the females. They remind me so much of certain human females that I know. They remind me of my very favourite human females.’

  ‘What nonsense, darling.’

  ‘Nonsense? I think not.’

  ‘It’s rather insulting.’

  ‘On the contrary, my dear, it is the greatest compliment I could pay. Did you not know, for instance, that the female spider is so savage in her love-making that the male is very lucky indeed if he escapes with his life at the end of it all. Only if he is exceedingly agile and marvellously ingenious will he get away in one piece.’

  ‘Now, Oswald!’

  ‘And t