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  Kill and Tell

  ( CIA's Spies - 1 )

  Linda Howard

  Still reeling from her mother's recent death, Karen Whitlaw is stunned when she receives a package containing a mysterious notebook from her estranged father. She has barely seen him since his return from the Vietnam War over twenty years ago and doesn't know what he could have to share with her now. She puts the notebook away and forgets about it until she receives a shocking phone call. Her father has been murdered on the gritty streets of New Orleans. At first, homicide detective Marc Chastain considers the murder nothing more than street violence against a homeless man, and Karen just another woman who couldn't take the time to care for her father. But something about the crime just doesn't add up, including the beautiful Karen Whitlaw. Far from the cold woman he expected, Karen is warm and passionate. She is also in serious danger. Karen is shocked by her immediate and unwelcome attraction to the charming, smooth-voiced detective. But when her home is burglarized and "accidents" begin to happen, she turns to him for help. Together they unravel a disturbing story of politics, power, and murder -- and face a killer who will stop at nothing to get his hands on her father's secrets.

  KILL AND TELL

  By

  Linda Howard

  "Linda Howard is an extraordinary talent [whose] unforgettable novels [are] richly flavored with scintillating sensuality and high-voltage suspense," raves Romantic Times . Now she brings her daring touch to a seductive new thriller with an astonishing twist…

  Kill and Tell

  Still reeling from her mother's recent death, Karen Whitlaw is stunned when she receives a package containing a mysterious notebook from the father she has barely seen since his return from the Vietnam War over twenty years ago. Unwilling to deal with her overwhelming emotions, Karen packs the notebook away, putting it—and her father—out of her mind, until she receives a shocking phone call. Her father has been murdered on the gritty streets of New Orleans.

  Homicide detective Marc Chastain considers the murder nothing more than street violence against a homeless man, and Karen accepts his judgment—at first. But she changes her mind when her home is burglarized and "accidents" begin to happen. All at once, she faces a chilling realization: whoever killed her father is now after her. Desperate for answers, Karen retrieves the only thing that links her to her father—the notebook he had sent months before. Inside its worn pages, she makes an unsettling discovery: her father had been a sniper in Vietnam and the notebook contains a detailed account of each one of his kills.

  Now running for her life, Karen entrusts the book and its secrets to Marc Chastain. Together they unravel a disturbing story of politics, power, and murder—and face a killer who will stop at nothing to get his hands on the kill book.

  "An incredibly talented writer… Linda Howard knows what romance readers want…"

  — Affaire de Coeur

  LINDA HOWARD

  Kill and Tell

  POCKET BOOKS

  New York London Toronto Sydney Tokyo Singapore

  This book is a work of fiction. Names, characters, places and incidents are products of the author's imagination or are used fictitiously. Any resemblance to actual events or locales or persons; living or dead, is entirely coincidental.

  An Original Publication of POCKET BOOKS

  POCKET BOOKS, a division of Simon & Schuster Inc.

  1230 Avenue of the Americas, New York, NY 10020

  Copyright © 1998 by Linda Howington

  ISBN: 0-671-56883-3

  First Pocket Books printing January 1998

  POCKET and colophon are registered trademarks of

  Simon & Schuster Inc.

  Cover art by Brian Bailey

  Printed in the U.S.A.

  This book is dedicated to John Kramer, and to cops everywhere. Thanks, John, for taking me around New Orleans, telling me the interesting stuff and showing me the interesting sights.

  Chapter 1

  ^»

  February 13, Washington, D.C.

  Dexter Whitlaw carefully sealed the box, securing every seam with a roll of masking tape he had stolen from WalMart the day before. While he was at it, he had also stolen a black marker, and he used it now to print an address neatly on the box. Leaving the marker and roll of tape on the ground, he tucked the box under his arm and walked to the nearest post office. It was only a block, and the weather wasn't all that cold for D.C. in February, mid-forties maybe.

  If he were a congressman, he thought sourly, he wouldn't have to pay any freaking postage. Thin winter sunshine washed the sidewalks. Earnest-looking government workers hurried by, black or gray overcoats flapping, certain of their importance. If anyone asked their occupation, they never said,

  "I'm an accountant," or "I'm an office manager," though they might be exactly that. No, in this town, where status was everything, people said, "I work for State," or "I work for Treasury," or, if they were really full of themselves, they used initials, as in "DOD," and everyone was expected to know that meant Department of Defense. Personally, Dexter thought they should all have IDs stating they worked for the DOB, the Department of Bullshit.

  Ah, the nation's capital! Power was in the air here, perfuming it like the bouquet of some rare wine, and all these fools were giddy with it. Dexter studied them with a cold, distant eye. They thought they knew everything, but they didn't know anything.

  They didn't know what real power was, distilled down to its purest form. The man in the White House could give orders that would cause a war, he could fiddle with the football, the locked briefcase carried by an aide who was always close by, and cause bombs to be dropped and millions killed, but he would view those deaths with the detachment of distance. Dexter had known real power, back in Nam, had felt it in his finger as he slowly tightened the slack on a trigger. He had tracked his prey for days, lying motionless in mud or stinging weeds, ignoring bugs and snakes and rain and hunger, waiting for that perfect moment when his target loomed huge in his scope and the crosshairs delicately settled just where Dexter wanted them, and all the power was his, the ability to give life or end it, pull the trigger or not, with all the world narrowed down to only two people, himself and his target. The biggest thrill of his life had been the day his spotter had directed him to a certain patch of leaves in a certain tree. When his scope had settled, he had found himself looking at another sniper, Russian from the looks of him, rifle to his shoulder and scope to his eye as he tried to acquire them. Dexter was ahead of him by about a second, and he got his shot squeezed off first. One second, a heartbeat longer, and the Russian would have gotten off the first shot, and old Dexter Whitlaw wouldn't be here admiring the scenery in Washington, D.C.

  He wondered if the Russian had ever seen him, if there had been a split second of knowledge before the bullet blasted out all awareness. No way he could have seen the bullet, despite all the fancy special effects Hollywood put in the movies showing just that. No one ever saw the bullet.

  Dexter entered the warm post office and connected to the end of the line waiting for service at the counter. He had chosen lunch hour, the busiest time, to cut down on the chance of any harried postal clerks remembering him. Not that there was anything particularly memorable about him, except for the cold eyes, but he didn't like taking chances. Being careful had kept him alive in Nam and had worked for the twenty-five years since he had returned to the real world and left the green hell behind. He didn't look prosperous, but neither did he look like a street bum. His coat was reversible. One side, which he now wore on the outside, was a sturdy brown tweed, slightly shabby. The other side, which he wore when he was out on the street, was patched and torn, a typical street bum's coat. The coat was good, simple camouflage. Snipers learned how to blend w