"I want the three of us to get to know each other before it's too late."

"I can't believe your nerve!" Sloan exploded, angry and bewildered by the unexpected sting of tears she felt at the emotionally charged phone call. "It is already much too late. I have no desire whatsoever to know you, not now, after all these years."

"What about your sister?" he countered smoothly. "Don't you have any interest in getting to know her?"

Sloan's mind promptly conjured up the same photograph at the country club. Her sister, Paris, had been her father's tennis partner. With her dark head thrown back and her right arm extended in perfect form for a perfect tennis serve, Paris hadn't looked as if her life was anything except… perfect. "I have no more interest in getting to know her than she's had in getting to know me," Sloan said, but she felt as though the words had a hollow ring.

"Paris feels as if she's missed out on a very important part of her life by not having known you."

According to the frequent mentions of Paris that Sloan had seen, Paris's life had been an endless succession of glamorous and fulfilling events—from her tennis and equestrian trophies to the lavish parties she hosted for her father in San Francisco and Palm Beach. At thirty-one, Paris Reynolds was beautiful, poised, and sophisticated, and she hadn't needed or wanted Sloan in her life before this. That knowledge hardened Sloan's weakening resolve to avoid any contact with the wealthy branch of her family. "I'm just not interested," she said very firmly. "Good-bye."

"I spoke to your mother today. I hope she can change your mind—" he was saying as she hung up the phone. Her knees began to shake in delayed reaction, but she couldn't give in to weakness in front of everyone. "That's that," she said brightly. "I'd better get going; I have a class to teach."

5

By the time Sloan reached her temporary classroom, she'd convinced herself that her emotions were firmly under control and that she could concentrate completely on what she had to do.

She walked into the room, closed the door behind her, and gave the group a bright, fixed smile. "We're going to be talking about correct ways for women to deal with several potentially dangerous situations… " she announced; then she realized she'd forgotten to greet them or introduce herself. "By the way, my name is Sloan Reynolds…" she began again. And my father has just contacted me for the first time in my life, she thought.

Sloan shook her head to clear it. The classes she was about to give were vitally important to the women in the room, and the women were all important to her. They needed her advice; they were counting on her. Carter Reynolds was nothing to her.

Sloan thrust him out of her mind and began the first of her lectures. "We'll start with one of the most common scenarios where a lone woman suddenly finds herself in danger. Let's suppose you're alone on the road at night and you get a flat tire," she said. "There's very little traffic and the nearest lights—the nearest sign of people—are three or four miles away. What do you do?"

Several hands went up and Sloan nodded toward an attractive middle-aged woman who sold real estate. "I'd lock the car doors, roll up the windows, and stay in the car until a police car, or tow truck, or some sort of trustworthy help arrives."

That was exactly the answer Sloan expected to hear, and it was the wrong answer. "Okay," she said, preparing to illustrate her point. "Now, suppose that while you're locked in your car, a vehicle pulls over to the side of the road. A man gets out, comes over to you, and offers to help. What will you do?"

"Does he look trustworthy?" the realtor asked.

"I don't know what honest looks like," Sloan countered firmly, "and neither do you. I mean, who looked more wholesome than Jeffrey Dahmer or Ted Bundy? But let's suppose the guy who offers to help you doesn't look trustworthy. What would you do then?"

"I'd keep the window up, and—and I'd lie and tell him help is already on the way!" the realtor finished with the enthusiasm of one who has come up with an inspired solution. "Is that the right answer?"

"Well, let's see if it is or isn't," Sloan said as she walked over to a table where she'd set up a television and video-cassette player. "If your man was a good guy who truly wanted to help, he'll leave. But what do you think he'll do if he's a bad guy who wants to rob or rape or murder you?"

"What can he do?" the woman replied. "I'm in the car with the doors locked and the windows up."

"I'll show you what he can—and will—do," Sloan said as she pressed the playback button on the VCR. The television screen lit up showing a nighttime scene exactly like the one Sloan had described, with an actress playing the part of the stranded motorist on the highway. On the screen, a second car pulled to a stop, and a clean-cut-looking actor got out and offered to fix her tire. When the woman politely declined his help, he suddenly grabbed the door handle and tried to open the car door. She began screaming in panic, and he ran to his car, but instead of leaving, he returned a moment later with a tire iron; then he bashed in her window, unlocked the door, and jerked the screaming, struggling woman out of the car, where he began bludgeoning her with the tire iron.

The brief film clip was so realistic that Sloan's students were silent and shaken after she turned off the VCR.

"Lesson number one—" Sloan said firmly, but with a smile to ease the tension in the room. "Do not stay in a disabled vehicle. If you do, you're turning yourself into a potential victim and advertising your plight to every criminal and creep who drives by."

"Then what should we do?" a pharmacist's wife asked.

"You have several choices, depending upon how far away you are from the nearest house or business. None of your alternatives are convenient, but they're not as 'inconvenient' as being robbed or worse. If you're within walking distance of a house or business, even if it's several miles away, start walking. If you can't go cross-country, then you'll have to walk along the highway, but be prepared to duck behind a bush or crouch in a ditch if you see car lights coming your way. If it's too far to walk, or if the climate would endanger your health, then you'll have to stay in the car, but be prepared to get out of it and hide somewhere as soon as you see headlights coming your way. If someone stops to check out the car, stay hidden."

Sloan paused to let all that sink in; then she said, "If there's some reason why you absolutely must remain in your vehicle until morning, then wait until you see headlights coming, get out of the car and go to your hiding place. From there, you can watch and see what he does and how he acts. If he tries to break into your vehicle, or vandalize it, or steal your hubcaps—or if he has a couple drunken buddies with him—then at least you'll know you're safer where you are."