Then there was Tiberius, a death’s-head moth fluttering on his hand, his pretty face turned down and away from the viewer. The painting gave Emma a sense of fierce love, intelligence, and vulnerability mixed together. Beneath him it said THE GENIUS.

Then there was THE DREAMER—Dru with her head in a book—and THE INNOCENT, Tavvy in his pajamas, sleepy head cradled in his hand. The colors were warm, affectionate, caressing.

And then there was Mark. Arms crossed over his chest, hair as blond as straw, he wore a shirt that bore the design of spread wings. Each wing sported an eye: one gold, one blue. A rope circled his ankle, trailing out of the frame.

THE PRISONER, it said.

Jules’s shoulder brushed against Emma’s as she leaned in to study the image. Like all Julian’s drawings, it seemed to whisper to her in a silent language: loss, it said, and sorrow, and years that you could not recapture.

“Is this what you were working on in England?” she asked.

“Yes. I was hoping to do the whole set.” He reached back and scrubbed at his tangled brown curls. “I might have to change the title of Mark’s card,” said Julian. “Now that he’s free.”

“If he stays free.” Emma brushed the drawing of Mark aside and saw that the next portrait was of Helen, standing among ice floes, her pale hair covered by a knitted cap. THE SEPARATED, it said. There was another card, THE DEVOTED, for her wife, Aline, whose dark hair made a cloud around her. She wore the Blackthorn ring on her hand. And the last was of Arthur, sitting at his desk. A red ribbon ran along the floor beneath him, the color of blood. There was no title.

Julian reached out and shuffled them back into the notebook. “They’re not finished yet.”

“Am I going to get a card?” Emma teased. “Or is it just Blackthorns and Blackthorns-by-marriage?”

“Why don’t you draw Emma?” Tavvy asked, looking at his brother. “You never draw Emma.”

Emma saw Julian tense. It was true. Julian rarely drew people, but even when he did, he’d stopped sketching Emma years ago. The last time she remembered him drawing her was the family portrait at Aline and Helen’s wedding.

“Are you all right?” she said, her voice low enough that she hoped Tavvy couldn’t hear.

He exhaled, hard, and opened his eyes, his muscles unclenching. His eyes met hers and the curl of anger that had begun unfurling in her stomach vanished. His gaze was open, vulnerable. “I’m sorry,” he said. “It’s just, I always thought when he got back—when Mark got back—he’d help. That he’d take over, take care of everything. I never thought he’d be something else I had to deal with.”

Emma was carried back in that moment to all the weeks, the months, after Mark had first been taken and Helen sent away, when Julian had woken up screaming for the older brother and sister who weren’t there, who would never be there again. She remembered the panic that sent him stumbling to the bathroom to throw up, the nights she’d held him on the cold tiled floor while he shook as if he had a fever.

I can’t, he’d said. I can’t do this alone. I can’t bring them up. I can’t raise four children.

Emma felt the anger uncurl in her stomach again, but this time it was directed at Mark.

“Jules?” Tavvy asked, sounding nervous, and Julian passed a hand over his face. It was a nervous habit, as if he were wiping an easel free of paint; when he dropped his hand, the fear and emotion had gone from his eyes.

“I’m here,” he said, and went over to pick up Tavvy. Tavvy put his head down on Jules’s shoulder, looking sleepy, and getting paint all over Jules’s T-shirt. But Jules didn’t seem to care. He put his chin down in his younger brother’s curls and smiled at Emma.

“Forget it,” he said. “I’m going to take this one off to bed. You should probably get some sleep too.”

But Emma’s veins were buzzing with a sharp elixir of anger and protectiveness. No one hurt Julian. No one. Not even his much-missed, much-loved brother.

“I will,” she said. “I’ve got something to do first.”

Julian looked alarmed. “Emma, don’t try to—”

But she was already gone.

Emma stood in front of Mark’s door, her hands on her hips. “Mark!” She rapped with her knuckles for the fifth time. “Mark Blackthorn, I know you’re in there. Open the door.”

Silence. Emma’s curiosity and anger warred with her respect for Mark’s privacy, and won. Opening runes didn’t work on doors inside their Institute, so she drew a thin knife from her belt and slid it into the gap between the door and the doorjamb. The latch popped, and the door swung wide.

Emma stuck her head in. The lights were on, curtains drawn against the darkness outside. The bedcovers were rumpled, the bed empty.

In fact, the whole room was empty. Mark wasn’t there.

Emma pulled the door shut and turned around with an exasperated sigh—and almost screamed. Dru was standing behind her with wide, dark eyes. She was clutching a book to her chest.

“Dru! You know, usually when people sneak up on me from behind, I stab them.” Emma exhaled shakily.

Dru looked glum. “You’re looking for Mark.”

Emma saw no point in denying it. “True.”

“He’s not in there,” Dru said.

“Also true. This is a big night for stating the obvious, huh?” Emma smiled at Dru, feeling a pang. The twins were so close, and Tavvy so young and dependent on Jules, it was hard, she thought, for Dru to find the place she fit. “He’ll be okay, you know.”

“He’s on the roof,” Dru said.

Emma raised an eyebrow. “What makes you say that?”

“He always used to go up there when he was upset,” said Dru. She glanced toward the window at the far end of the hall. “And up there, he’d be under the sky. He could see the Hunt if they rode by.”

Emma felt chilled. “They won’t,” she said. “They won’t ride by. They won’t take him away again.”

“Even if he wants to go?”

“Dru—”

“Go up there and bring him back down,” Drusilla said. “Please, Emma.”

Emma wondered if she looked bewildered; she felt bewildered. “Why me?”

“Because you’re a pretty girl,” said Dru, a little wistfully, looking down at her own round body. “And boys do what pretty girls want. Great-Aunt Marjorie said so. She said if I wasn’t such a butterball, I’d be a pretty girl and boys would do what I wanted.”

Emma was appalled. “That old bi—that old bat, sorry, said what?”

Dru hugged the book more tightly to her. “You know, it doesn’t sound so bad, does it? Butterball? Like you could be something cute, like a squirrel, or a chipmunk.”

“You’re much cuter than a chipmunk,” Emma said. “Weird teeth, and I have it on good authority that they speak in high, squeaky voices.” She ruffled Dru’s soft hair. “You’re gorgeous,” she said. “You always will be gorgeous. Now, I’ll go see what I can do about your brother.”

The hinges on the trapdoor that led to the roof hadn’t been oiled in months; they squeaked loudly as Emma, bracing herself on the top rung of the ladder, shoved upward. The trapdoor gave way and she crawled out onto the roof.