My body was both fatigued and fired up. I dropped my handbag and jacket on the chair by the door. I glanced at the answering machine: no messages. Did I have any wine on the premises? No, I did not. I checked the contents of the refrigerator, which showed nothing of culinary interest. My pantry was typically barren: a few stray cans and dried items that, singly or in combination, would never constitute anything remotely edible, unless you favored uncooked lentils with maple syrup. The peanut-butter jar had concentric swirl marks in the bottom, as if the rest of it had drained away. I found a kitchen knife and scraped the sides of the jar, eating the accumulated peanut butter off the blade as I walked around. "This is really pitiful," I said, laughing, but actually I didn't mind a bit.

Idly I flipped on the TV set. Lorna's video was still in the VCR. I touched the remote control, and the tape began to run again. I had no intention of watching any late night sex, but I went through the credits twice. The night before, I'd tried directory assistance in San Francisco, hoping for a telephone number for the production company Cyrenaic Cinema. In the credits, the producer, director, and film editor were all listed by name: Joseph Ayers, Morton Kasselbaum, and Chester Ellis respectively. What the hell, telephone operators are awake all night.

I tried the names in reverse order, bombing out on the first two. When I got to the producer, I picked up a hit. The operator sang, "Thank you for using AT and T," and a recording kicked in. A mechanical voice came on the line and recited Joseph Ayers's number for me twice.

I made a note, then picked up the phone and called directory assistance in San Francisco again, this time checking for a listing in the names of the other players, Russell Turpin and Nancy Dobbs. She wasn't listed, but there were two Turpins with the first initial R, one on Haight and one on Greenwich. I wrote down both numbers. At the risk of wasting my time and Janice Kepler's money, a trip north might actually be worth a shot. If the contacts didn't pan out, at least there was hope of eliminating the porno angle as a factor in her daughter's death.

I put a call through to Frankie's Coffee Shop, and Janice answered on the second ring. "Janice. This is Kinsey. I have a question for you."

She said, "Fire away. We're not busy."

I brought her up to date on my conversations with Lieutenant Dolan and Serena Bonney, and then filled her in on the minisurvey I'd done of the pornographic film crew. "I think it might be worthwhile to talk to the producer and the other actor."

"I remember him," she cut in.

"Yeah, well, between Turpin and this film producer, I'm hoping we can satisfy some questions. I'll try to contact both by phone in advance, but it looks like it'd make sense to make a quick trip. If I can set up a few appointments, I thought I'd hit the road."

"You're going to drive?"

"I'd thought to."

"Don't you have a dinky little VW? Why not fly? I would, if I were you."

"I guess I could," I said dubiously. "On a short hop like that, though, the plane fare will be outrageous. I'll have to rent a car up there, too. Motel, meals…"

"That sounds okay to me. Just save your receipts and we'll reimburse you when you get back."

"What about Mace? Did you tell him about the tape?"

"Well, I told you I would. He was shocked, of course, and then he got mad as hell. Not with her, but whoever put her up to it."

"What's his feeling about the investigation itself? He didn't seem that thrilled yesterday."

"He told me just what he told you," she said. "If this is what it takes to make me happy, he'll go along with it."

"Great. I'll probably fly up sometime tomorrow afternoon and talk to you as soon as I get back."

"Have a good flight," she said.

9

At 9:00 the next morning, I roused myself just long enough to call Ida Ruth, telling her I'd be in shortly in case anyone was looking for me. As I pulled the covers up, I checked the Plexiglas skylight above my bed. Clear, sunny skies, probably sixty-five degrees outside. To hell with the run. I awarded myself ten more minutes of rest. I next woke at 12:37, feeling as hungover as if I'd drunk myself insensible the night before. The tricky factor with sleep is that aside from the number of hours you put in, the body seems to hold you accountable for their position. Snoozing from four a.m. to eleven a.m. doesn't necessarily equate with the same number of hours logged between eleven p.m. and six. I had sketched in a full seven, but my regular metabolic rhythms were now decidedly off and required additional down time to correct themselves.