East of Eden Page 82


While the churches, bringing the sweet smell of piety for the soul, came in prancing and farting like brewery horses in bock-beer time, the sister evangelism, with release and joy for the body, crept in silently and gravely, with its head bowed and its face covered.

You may have seen the spangled palaces of sin and fancy dancing in the false West of the movies, and maybe some of them existed—but not in the Salinas Valley. The brothels were quiet, orderly, and circumspect. Indeed, if after hearing the ecstatic shrieks of climactic conversion against the thumping beat of the melodeon you had stood under the window of a whorehouse and listened to the low decorous voices, you would have been likely to confuse the identities of the two ministries. The brothel was accepted while it was not admitted.

I will tell you about the solemn courts of love in Salinas. They were about the same in other towns, but the Salinas Row has a pertinence to this telling.

You walked west on Main Street until it bent. That’s where Castroville Street crossed Main. Castroville Street is now called Market Street, God knows why. Streets used to be named for the place they aimed at. Thus Castroville Street, if you followed it nine miles, brought you to Castroville, Alisal Street to Alisal, and so forth.

Anyway, when you came to Castroville Street you turned right. Two blocks down, the Southern Pacific tracks cut diagonally across the street on their way south, and a street crossed Castroville Street from east to west. And for the life of me I cannot remember the name of that street. If you turned left on that street and crossed the tracks you were in Chinatown. If you turned right you were on the Row.

It was a black ’dobe street, deep shining mud in winter and hard as rutted iron in summer. In the spring the tall grass grew along its sides—wild oats and mallow weeds and yellow mustard mixed in. In the early morning the sparrows shrieked over the horse manure in the street.

Do you remember hearing that, old men? And do you remember how an easterly breeze brought odors in from Chinatown, roasting pork and punk and black tobacco and yen shi? And do you remember the deep Waiting stroke of the great gong in the Joss House, and how its tone hung in the air so long?

Remember, too, the little houses, unpainted, unrepaired? They seemed very small, and they tried to efface themselves in outside neglect, and the wild overgrown front yards tried to hide them from the street. Remember how the shades were always drawn with little lines of yellow light around their edges? You could hear only a murmur from within. Then the front door would open to admit a country boy, and you’d hear laughter and perhaps the soft sentimental tone of an open-face piano with a piece of toilet chain across the strings, and then the door would close it off again.

Then you might hear horses’ hoofs on the dirt street, and Pet Bulene would drive his hack up in front, and maybe four or five portly men would get out—great men, rich or official, bankers maybe, or the courthouse gang. And Pet would drive around the corner and settle down in his hack to wait for them. Big cats would ripple across the street to disappear in the tall grass.

And then—remember?—the train whistle and the boring light and a freight from King City would go stomping across Castroville Street and into Salinas and you could hear it sighing at the station. Remember?

Every town has its celebrated madams, eternal women to be sentimentalized down the years. There is something very attractive to men about a madam. She combines the brains of a businessman, the toughness of a prize fighter, the warmth of a companion, the humor of a tragedian. Myths collect around her, and, oddly enough, not voluptuous myths. The stories remembered and repeated about a madam cover every field but the bedroom. Remembering, her old customers picture her as a philanthropist, medical authority, bouncer, and poetess of the bodily emotions without being involved with them.

For a number of years Salinas had sheltered two of these treasures: Jenny, sometimes called Fartin’ Jenny, and the Nigger, who owned and operated the Long Green. Jenny was a good companion, a keeper of secrets, a giver of secret loans. There is a whole literature of stories about Jenny in Salinas.

The Nigger was a handsome, austere woman with snow-white hair and a dark and awful dignity. Her brown eyes, brooding deep in her skull, looked out on an ugly world with philosophic sorrow. She conducted her house like a cathedral dedicated to a sad but erect Priapus. If you wanted a good laugh and a poke in the ribs, you went to Jenny’s and got your money’s worth; but if the sweet world-sadness close to tears crept out of your immutable loneliness, the Long Green was your place. When you came out of there you felt that something pretty stern and important had happened. It was no jump in the hay. The dark beautiful eyes of the Nigger stayed with you for days.

When Faye came down from Sacramento and opened her house there was a flurry of animosity from the two incumbents. They got together to drive Faye out, but they discovered she was not in competition.

Faye was the motherly type, big-breasted, big-hipped, and warm. She was a bosom to cry on, a soother and a stroker. The iron sex of the Nigger and the tavern bacchanalianism of Jenny had their devotees, and they were not lost to Faye. Her house became the refuge of young men puling in puberty, mourning over lost virtue, and aching to lose some more. Faye was the reassurer of misbegotten husbands. Her house took up the slack for frigid wives. It was the cinnamon-scented kitchen of one’s grandmother. If any sexual thing happened to you at Faye’s you felt it was an accident but forgivable. Her house led the youths of Salinas into the thorny path of sex in the pinkest, smoothest way. Faye was a nice woman, not very bright, highly moral, and easily shocked. People trusted her and she trusted everyone. No one could want to hurt Faye once he knew her. She was no competition to the others. She was a third phase.

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