Kitty's House of Horrors Page 57


Provost was still ranting. “We wanted to see if we could kill monsters. Turns out we can, and we’re going to show the world how to do it,” he said. He walked toward the lodge now, casually, step by step. Carelessly, almost. He had to know we had the weapons we’d taken from Valenti. Maybe he really thought Jeffrey didn’t have it in him to shoot anyone. But Jeffrey didn’t have to.

“Ron Valenti doesn’t agree with you,” Jeffrey said, and Provost stopped walking. “In fact, he’s pretty upset.”

Provost said, “You haven’t really talked to him.”

Jeffrey shrugged. “You might as well burn this place to the ground, because it’s going to be very haunted when this is all over. Then again, all that negative energy doesn’t need a place to anchor to. It’s hanging over you, Joey.”

Provost was frowning now. “This isn’t about Valenti. It’s about who gets out of here alive.”

“You’re right. I’m just telling you—free consultation—that this isn’t going to end here. But you might get yourself a few points to balance that out if you let us go. I know you believe all that—some kind of balance, some kind of life after death—or Tina and I wouldn’t be here. I’m making the offer: let us go. Because if you kill us, you’re never getting rid of us.”

It didn’t work quite so simply. Jeffrey had said as much. But maybe Provost didn’t know that, and maybe he was just keyed up enough to believe it. The men looked at each other across the clearing. Jeffrey faced Provost with all the courage in the universe. Arms at his sides, calm, nonthreatening. Treating Provost like he was an approaching predator.

Provost shot him. A quick draw, he’d grabbed his gun from his holster, aimed and fired in a heartbeat, before any of us could react. Jeffrey fell back, boneless.

I stood, leveled my gun out the door, and fired at Provost.

I didn’t practice much and wasn’t very good at the gun thing, but I hit him. He staggered, his right arm flung back, the gun flying from his grip.

Which was good, because I lost it. I flung my own gun aside and ran at Provost.

From the stress of the last few days, the rage at losing friends and good people for no reason at all, I lost control. Wolf had been battering at me, at the mental bars of the cage that kept her calm, since all this started. I’d shot Provost, but she—we—wanted more. Wanted his blood in our mouth, his flesh in our teeth.

I was Changing without even feeling it.

The fury in me felt molten. Like I had turned into fire, liquid iron. The Change had never come so smoothly, so painlessly. I had always fought it, but this time, Wolf was simply there when I wished it. My limbs melted. I stretched my fingers and they were claws. I hunched my back, bared my teeth. My clothing tore away.

I run fast, with Wolf’s speed and strength. He doesn’t have time to reach for his fallen weapon. I shove into him, and my claws are into him. I can’t see through the anger, I only feel. Hear his scream. He doesn’t think I have it in me to tear his throat out. No one ever thinks I have it in me.

For a moment we look into each other’s eyes. I can’t imagine what he sees in mine, what amber fire is blazing in them. But I see that he is frightened—eyes ringed with white, terrified. I dig—

O n the ground now, her weight has toppled him. Teeth around his neck, not letting go, shaking her head to rip the skin. Blood fills her mouth, a taste of ecstasy. Flesh gives way. He shrieks in her ear, hits her with fists. Only makes her more angry. Not dead yet, but he already smells rotten. Snarling, clawing, ripping, she mauls.

A distant memory recognizes a voice that calls, “Kitty! Get back, get inside!” One of the two-legged ones, but familiar, and the voice within her, her other half, urges her: listen. Go. Too dangerous in the open.

She raises her head to look, sees the male who called her running toward her and sees another male in the trees. Her nose flares, takes this one’s scent, and the wrongness of it shocks her. He is weapons, steel, fire. Her other half knows this means terrible danger. Only one option: run to safety. But she has no den here, no pack, no safety—except the house, which smells lived-in, denlike. Closest safety she’ll find.

She runs for the door she burst from only a moment ago. Leaps past chaos, a male and female dragging two others. An explosion, a hot streak ripping through air. Part of her expects to feel an impact, expects that this is her death. She doesn’t stop running, even after she passes through the door.

She’s felt nothing, no pain. The weapon of smoke and fire missed.

Another explosion sounds, very close—the female stands at the door, holding another weapon straight. It fires, bursts of heat and thunder, again and again, until the man slams shut the door and they both collapse, along with two bodies that smell richly of blood.

She licks her snout, which is covered with blood. She is standing by the far wall, tail rigid, hackles raised, a low warning growl breathing out each time she exhales. Waiting for the next attack.

“Oh God, oh God. Odysseus, Tina—what do we do about her?” Another man is sitting up, staring. He smells like old blood. Injured. Easy prey. He’s staring right at her, and this makes her angry. She directs her growls at him, and he cringes.

“Conrad, don’t look at her. Look away. Conrad! Look at me!”

The injured one looks away. She was almost ready to pounce to show him which of them was stronger.

“Tina, can you see outside? What’s he doing?”

“He’s staying there—he hasn’t left the trees. Jeffrey, how’s Jeffrey, oh, my God—”

The room has filled with blood. Makes her hungry. The two-legged ones are trembling like a frightened herd.

“Kitty—she wouldn’t really,” the female says. “She’s in there somewhere, right? She wouldn’t really attack us.”

“Tina, stop looking at her.” This is the strong male, the one who called her inside. “Walk very calmly along the wall to the kitchen. Find the pantry—there should be some canned food left. Open a can of chicken or tuna.”

Movement. The female is edging along the wall. She’s strong—the only person here who doesn’t smell injured. Let her go.

The male is speaking, his voice like soft fur. He’s looking at the floor near her. “Shh, Kitty. It’s all right. Danger’s over for now. It’s all right.”

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